The 50th Anniversary Issue of W is an all-out supermodel party featuring 17 address movie stars which range from the entire world’s most well-known names to ladies who are very well on the option to fashion domination that is total. See every cover model here and read Jenny Comita’s essay about the evolution of the beauty standards that define the industry here.
Do You remember when you were first considered a supermodel?
amber and I were originally called the “anti-supermodels,” and then somehow, at some true point, we became called supermodels ourselves. We had been the antidote to your old-fashioned supermodels, we were confronting what the beauty norms were at that point: the Richard Avedon super-goddess glamazons.Louis because we represented a different aesthetic and Vuitton
top, sweater, skirt, and sneakers;
Cartier


earrings and necklaces.What Do a career is considered by you highlight?Coming back once again to benefit Versace after which the Instagram thing that adopted really was a thrill for extremely reasons that are personal. I had been on hiatus for eight years. it wasn’t a choice; it was mandated. I got really sick with late-stage Lyme and severe mold that is black from a contaminated household in Big Sur that I happened to be staying in during the time. The 2 things occurred simultaneously. The actual fact through and was able to regain my health and strength is quite a substantial accomplishment that I made it. Anyone who’s been on set knows it’s like a day that is 12-hour of in a nightclub. It is high endurance, and also you’re sprinting through a marathon. Therefore in order to execute as of this known level is really a celebration for me. That I can work every day in a body that is healthy to my 5th decade—thatis the job highlight.Fendi gown, bra, briefs, and case; Cartier
earrings, necklaces, and bracelets;
Celine by Hedi Slimane
shoes.Did you see a industry that is different you came back?


yeah. For better and for worse. When I wasn’t working, that’s when everyone went to digital. Before, we would have maybe 10 or 12 people on set, and now there are 50 or 75. A lot of that is because of the content that is digital. A number of that is actually enjoyable. It provides us more usage of a voice. Into the past we had been like quiet movie actresses, therefore to own usage of a voice is a experience that is different. But then, walking down a runway where everyone has their phones up feels not great. The focus is different. And even the afterparties are less fun. People are performing for their cameras rather than actually dancing with each other. Fashion parties used to be fun, but now they’re just opportunities that are promotionalBottega Veneta coats, jeans, and shoes.Gucci

belted gown, tights, and footwear; Cartier braceletComme des Garçons
coating, gown, and socks; Comme des Garçons x Salomon sneakers.The professional photographer Michael Thompson is in charge of a lot of W ‘s many familiar pictures through the 1990s and early aughts. All three models.(*)Senior for this issue, her reunited with (*)Shalom Harlow,(*) Amber Valletta(*)and (*)Christy Turlington Burns(*) for a shoot that embodies his playful, minimalist style and showcases the rebellious spirit that units design editor: Allia Alliata di Montereale. Locks by Eugene Souleiman at Streeters; makeup products by James Kaliardos during the Wall Group; manicure by Yuko Tsuchihashi for Chanel Le Vernis at Susan cost NYC. Set design by Set Shop. Shalom Harlow at IMG. Casting by Michelle Lee at Michelle Lee Casting.(*)Produced by Lola Productions; manufacturing supervisor: Tucker Birbilis; manufacturing coordinator: Hannah Westbrook; picture assistants: Shinobu Mochizuki, Sam Kang; electronic specialist: Roy Beeson; retouching: Timothy Sexton/SelecaoNYC; fashion assistants: Julia McClatchy, Asia Reed, Natalya Clarke; manufacturing associate: Michael Lighston; locks assistants: Christine Moore, Anastasiia Milyaeva; makeup products assistants: Aimi Osada, Cyler Daigle; tailor: Lindsay Wright(*)
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